A Vulgar Intellectual’s Mad Rant on Public Education

Words words words.

Christ, how come sometimes it is so easy to write drivel that people might actually read, but when it comes time to pen something worth thinking about – pondering in a Socratic manner – I freeze up and nothing comes stumbling forth? I feel like one of my students, looking up at me with those forlorn, hopeless eyes that seem to say in a silent scream, “Why are you doing this to me? I can’t write.”

Fuck all; you think I can?

This is Where I Lose My Shit

I have some brilliant writers. Little fuckers who are going places with their written word. Youths who have captured that emotion so eloquently and powerfully that they’ve no choice but to succeed and excel. Sure, it is easy to dismiss much of what teenagers have to say as little more than angst, or hormones, or impotent rage, but a select few have transcended this stereotype for the better.

I mean, fuck, I read the things these kids share with me and I wonder how come I’m not capturing raw emotion like that. To be 15 or 16 and to write about the things going on in their lives – in their heads – so powerfully, with such gusto, how can I not be impressed? I cannot name names, obviously, but if any of you little bastards are reading this, you know who you are.

And you know I mean that with the utmost respect. From writer to writer.

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And as I always tell them: don’t stop writing.

Oh, how easy is it to give in and call it a day. This is shit. Probably yes, but the important thing is you’ve written it. Not everything you pen will be golden – that’s part of the writing process – but the fact my young charges are out there trying to find their voice in the tempest that is high school, puberty, hormones, and problems at home, well, fuck, they are doing mighty fine enough.

Today I dressed up as Charles Bukowski. Basically I wore a bathrobe and had a small tumbler filled with Coke (I am told, under no circumstances, that I’m not actually allowed to drink on campus; so much for my margarita machine for the teacher’s lounge idea). We are working on poetry projects, and to model a good presentation (and wear a bathrobe to work), I showcased So You Want to be a Writer by that grumpy curmudgeon Bukowski. Frankly, I thought it went very well. One must have fun at work, right; otherwise, what’s the damned point?

My slideshow presentation ended with Bukowski’s mantra emblazoned upon the board for all to see. In huge, bold, obnoxious letters, it stated: Don’t try.

God. Damn. You’d think I shot someone in front of those kids with their stunned looks as they read those words.

Don’t try. Don’t try? A teacher is telling us to “don’t try?!” Indeed I am, my charges, for someone has to elucidate you with alternative opinions.

Let’s be real for a moment regarding public education. Foremost, I love my job. Little bastards keep me motivated and ready to kick ass every single day. Sure, some days are more taxing than others, but I reckon that is true for any job. But dealing with 150+ kids day in and day out, well, someone has to shake the foundation of lies they’ve been sacrificed upon.

Kids are taught from a very young age that a high score is the equivalent of excellence. An A+, a 100%, these are the things kids of all ages are taught – indoctrinated – to achieve because high scores equates to higher self-worth. If I achieve high scores on everything I do, so their understanding goes, then everything in Life will be easier and within my grasp.

Bull. Shit.

Kids – especially teenagers – are not little automatons we can constantly shuffle toward the meat grinder that is standardized testing. Kids are not mindless beings who must be forced to learn by rote memorization and recalling such things weeks down the road. How many of you fuckers can remember who conquered the Incan Empire? And what was the last Incan emperor’s name?

Don’t Google it; just answer the goddamned question.

This asshole.

Why in the thousand seas of fucks of Hell are we having kindergartners writing paragraphs – fucking paragraphs – when they should be picking their noses and complaining about cooties whilst running about like wild Indians on the playground? Why can’t young men wear ball caps in class? Why can’t young ladies wear their summer hoochie shorts to class? Why did starting a chess club raise such a rumpus? Why are we singing the virtues of football and cheerleading over innovation and true excellence? Why, and this is the most important bit, why can’t we let our kids express themselves without fear of reprisals?

Yes, I admit, childhood is a product of the 19th century, but when did we decide to create little worker bees instead of human beings? What good does it serve when every child is taught to express themselves the same way, that an essay only has five paragraphs, that art is only what has been done before and must be copied, that school ultimately doesn’t matter because you’re going to college anyway and there you’ll really learn?

What, in the flying fuck of a shit tempest, are we doing to ourselves? We, as Americans, wonder why the Vikings continuously beat the shit out of us every year in international testing, but we fail to see the glaring answer looking us in our fat, capitalist faces: they innovate. They allow children to be children. They allow youths to find themselves within the confines of the classroom.

And we, comrades, are bound by an overarching administration – an oligarchy – that controls what we teach and how we teach it. Not just in my county, not just in my state, but at a federal level too. All 10th graders must be able to identify a seminal document and write a comprehensive, critical review of the piece. Bor. Ing. Sure, I will teach a seminal document – because history is important – but expecting kids, especially the slow ones, to suddenly be at a certain level because we have a high and mighty pacing guide is absurd and unrealistic.

When did we start treating kids as numbers in a system, as benchmarks, as thresholds, as fucking statistics, and stop treating them as people?

I love my job. I love working with those bright, shining stars – those kids who will one day have their names in history books – and I love working with those kids who will amount to little else. You have to take the good and the bad; tis part of the job.

But lately, Christ, lately it feels like a lot of bad is being cast upon my charges. They are expected to be groomed for standardized testing, to be able to do things they’ve little interest in, to be neat, cookie cutter clones of one another, where originality is frowned upon and self-expression is akin to murder.

Hogwash, I say, for I shall endeavor to ensure my charges – my budding authors, poets, journalists, doodlers, workmen, CEOs, and more – are allowed to be themselves. Sure, the path of knowledge is long and arduous, but many of them are showing promise beyond their means. Maybe they suck shit at essay writing, but they’ll bring your heart to a standstill as you read one of their creative pieces. Maybe they never turn anything in on time, but when you catch them one-on-one discussing poetry, you’ll find yourself surprised at their keen insight and deeper understanding. They could be serial killer quiet in class but their poetry – at 15-years-old – will impress you.

Those kids are our future, and we are doing them a disservice by expecting clones. Don’t try, kids. You’re better than that. You’re better than this system that doesn’t have your best interests at mind. You’re better than a system with its head so far up its proverbial ass, it can see through murky eyes.

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Cry, “Havoc!” and let slip the dogs of war!

Fuck the system. You do you, kids. Now finished your goddamned poetry projects and let’s raise hell.

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Dangerously Beautiful

He spat out blood.

He wiped his mouth with the sleeve of his dress shirt, grimly admiring the red stains mixed with spittle as it quickly soaked into the fabric, darkening the soft color with a crude, rusty tinge.

There, his lifeforce, coagulating with cotton fibres; himself oblivious to the hustle around him as he quietly took in his precarious situation, ignoring the masses as they jockeyed around the tight corridors, focusing intensely upon the wonderful colors he himself had expectorated from the numerous unidentified sores within his squalid mouth.

Crouched over the dribbling water fountain, he brought himself to drink. With a gentle nudge upon the aged and well-worn plastic button, fresh, cool water came springing forth from the soulless steel, and he dipped low to take a mouthful.

Slowly swishing it about, he quickly identified the coppery aftertaste of a fresh wound. The longer the water remained, the more he could feel his mouth fill with tendrils of blood, the life-giving liquid encouraging the other to flow freely without recourse.

It was a unique taste – one he secretly enjoyed – but one he recognized as something out of the ordinary. This wasn’t normal for him, to be spitting up blood without cause, and a part of his mind feared the absolute worst. Was this how it begins, he thought. The end?

But the more sensible side of his mind urged caution, to not jump to conclusions, and to merely accept that he was ill. That’s all. Sick.

He spat out blood.

He watched as the wine-colored water splashed across the sterilized fountain; a fetid mixture of saliva, water, and burnished blood happily pooling across the fountainhead, a macabre rainbow he himself gave to Creation.

With delicate care, as if knowing he was watching with utmost amazement, the mixture slowly ebbed toward the drain, dawdling as it went along its course – its ultimate demise – to disappear forever down the unhallowed drains of yet another sterile fixture. The only thing living within the dull, polished steel of Man was the very elixir he himself had spat out, an ironic situation not lost upon him.

Pushing once more upon the machine, a stream of water sprang forth; he did not move to meet it.

The unmolested water splashed against his sanguine pool – scattering droplets of scarlet and pink and red and rust across his trousers and sleeves – adding fresh stains to his already dirtied attire. What didn’t collide with his unflinching form spread across the once-pristine machine or fell to the dull tile beneath his feet, another life lost in the misery of a constant shuffle, a dedicated rat race, and he, a bloodied sentinel paying no heed to those around him, merely watching with a mixture of abject curiosity, a tinge of horror, and a zealous fascination to see this latest ordeal through.

The more he pressed upon the lackluster polystyrene, the more ferocious became the constant jet of water, attempting to eradicate him completely from its polished-steel surface, as if the machine itself was crying foul at being used as a crude spittoon. It hummed as it pumped still more water through its spigot, desperately wanting to rid itself of his stains.

Slowly, the charnel mixture began to clear as the machine continued its cleansing operation. Where once a massive, red spatter was splayed across the drainage system – a bloody Picasso – it gave way to the clearness of the swirling water. Before long, the last droplets of blood were washed away from the surface.

He released the button and the process instantly ceased.

Standing straight, his hands still perched upon the fountain, he drew a long sigh.

This isn’t normal, he thought to himself (for the corridors were still crowded with proles, lest they think him mad). What is happening to me?

For several moments he stood there, frozen in pose, reflecting upon what had just transpired.

And there, at the back of his mouth, he tasted the sweet copper once more, feeling the vessels give way to another bout of blooded introspection. He quickly squeezed his mouth tight and sucked the mixture from its barrows, before stooping over the machine – feeling the bulge of his cigarettes as he did so – and releasing a parting shot.

He spat out blood.

He was dying – but he found it dangerously beautiful.